![]() ![]() ![]() Run time: 2h 1m ( Spider-Man) 2h 7m ( Spider-Man 2) 2h 19m ( Spider-Man 3)Ĭast: Tobey Maguire, Kirsten Dunst, James Franco This week’s editor’s pick Sam Raimi’s Spider-Man trilogy Image: Sony Pictures Our latest update added Sam Raimi’s Spider-Man trilogy as our editor’s pick. We’ll be updating this list weekly as Netflix cycles movies in and out of its library, so be sure to check back next time you’re stuck in front of the Netflix home screen. And for our readers across the pond, we have a list of the best movies on Netflix UK. If you’re looking for a specific genre, we’ve got the best action movies on Netflix, the best horror movies on Netflix, the best thrillers on Netflix, and the best comedy movies on Netflix ready for you. For those suffering from choice paralysis in May, we’ve narrowed down your options to not only our favorite current movies on the platform, but the best movies Netflix has to offer. Netflix’s huge catalog of movies continues to expand day by day, week by week, month by month making the challenge of keeping up to date with best the service has to offer, let alone finding something the best of what to watch after a long day, a task that feels herculean at best and impossible at worst for someone not plugged into its inscrutable rhythms. If only so that you don’t have to keep clapping your hands over your ears and shrieking “spoilers!” whenever anyone mentions it.What’s the best movie I can watch on Netflix? We’ve all asked ourselves this question only to spend the next 15 minutes scrolling through the streaming service’s oddly specific genre menus and getting overwhelmed by the constantly shifting trend menus. Series creator Vince Gilligan pitched the show as being the story of “a man who transforms himself from Mr Chips into Scarface” and while early episodes play up White’s faltering attempts to enter the drugs trade, as the series progresses he develops into a genuinely chilling character. Like Tony Soprano and Don Draper, Bryan Cranston’s Walter White is one of the great protagonists of 21st-century television a mild-mannered chemistry teacher whose cancer diagnosis prompts him to turn his skills to creating crystal meth, enlisting wayward former student Jesse as his partner in crime. What, did you think we’d forgotten? Breaking Bad has been praised to the heavens by critics and those members of the public who clap their hands over their ears and shriek “spoilers!” when you start talking about it. As the joyless Mark internally remarks after his girlfriend takes him to a fairground, “I suppose doing things you hate is just the price you pay to avoid loneliness.” ![]() Many a true word is spoken in jest, as they say – and Peep Show is as much a meditation on the human condition as it is a comedy show. In the great British comedy tradition self-delusion, self-hatred and social awkwardness loom large here, and though both the main characters are indisputably despicable, selfish idiots, it’s impossible not to get sucked into their (often horrifying) antics. Peep Show‘s “gimmick” is that we often see the action from Mark or Jez’s point-of-view, hearing their inner thoughts as audible voice-overs. This is must-see television for anyone who’s obsessed with tech.Īll nine seasons of Peep Show are streaming on Netflix, so if you haven’t yet watched Sam Bain and Jesse Armstrong’s groundbreaking sitcom – the longest-running in Channel 4’s history, no less – now is the perfect time to venture into the minds of David Mitchell’s Mark and Robert Webb’s Jez, two best friends and flatmates who lurch from one disaster to the next. But fear not, the trademark blacker-than-black humour has also been retained, so you’ll guffaw almost as much as you’ll squirm. Make no mistake, this is unnerving stuff, enhanced by the fact that the stories are generally set in a very near future that’s all too recognisable. Each episode may tell a standalone story, but they’re all connected by the threads of modern humanity’s relationship with technology, the internet and social media. What hasn’t changed is the overall theme. The feature-length final episode, Hated in the Nation, is a perfect case in point. Not only has the platform given Charlie Brooker and his team the freedom to tell more stories (the two Netflix-made series have six episodes rather than the usual three) and let each one run without ad breaks for as long as it needs to, it’s also given them a budget big enough to expand the scale, scope and special effects. Black Mirror has made the move from Channel 4 to Netflix in sumptuous, unsettling style. ![]()
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